Halloween Edition: Episode 2 - Terrifier

[00:00:04] Speaker A: Welcome to Watch this. [00:00:08] Speaker B: Halloween edition. [00:00:19] Speaker C: Laughter. [00:00:28] Speaker B: Ascending the cloud. [00:00:38] Speaker C: Isn't it bliss? [00:00:44] Speaker A: Hi, everybody. Welcome to Watch this, a movie review and discussion podcast. We are in the midst of our Halloween spectacular, and right now it's not so spectacular. The whole time, the whole day, my voice was not cracking right when I started recording it. Okay, let's. Let me introduce myself. I am Paul Klein. I'm your host. Sitting in front of me is our host, Stephanie Gablano. Sitting to the left of me is our host, Alex Bello. And today we are talking about Terrifier. I am aiming for this to be the shortest episode ever, as I think the movie has very little worthwhile to speak about. To speak of. To talk about. Yeah, whatever. Since you guys have been so terrible at plot synopses, um, I'm still gonna have you do it because, Stephanie, I'm gonna have you do it because there's no fucking plot. So why don't you set up the movie for us? [00:01:28] Speaker B: There's no plot. It's a guy called Art the Clown and he kills people in a gross way. [00:01:33] Speaker A: Yes. [00:01:33] Speaker B: And it sucks. [00:01:34] Speaker A: And it's hour and 20 minutes, just about. Alex has been really quiet, but he's the one who's been pushing for us to go a little bit longer with this episode. He has a list of grievances he would like to air. Why don't we. Can we just jump right into it? What else? Is there anything else to say? The movie really is just, you know, it's all practical gore effects. So I, you know, credit to that. They, they're good looking gore effects. I kind of thought I would. I thought I was gonna be more disturbed by the movie. Maybe it's just because we watched it here and we're all just kind of. [00:02:01] Speaker C: Laughing, they get progressively more disturbing. [00:02:03] Speaker B: See, I thought this one, the budget was so low that they had to work with what they had. So like they, they tried to do the gore, but it was just like they don't. They don't got the money for anything that looks like crazy. [00:02:16] Speaker C: The budget for this was between 35 and $55,000. [00:02:20] Speaker A: Okay. Wow. [00:02:21] Speaker C: Yeah. [00:02:21] Speaker A: Okay. Yeah. I mean, you know, on that level of just sort of like, you know, you know what you're making. You know, it's a low budget movie. It's competently made for, for the most part, especially the first half, I would say is pretty competently made. There are things that we kind of. We kind of left at a little bit towards the end when, like he hits the guy with a hammer and clearly misses him. And it's been like. I wouldn't really care if it had been like a wide shot, but then they cut to like a close up of it happening. And I was like, you could have done another take, you know, and they can look closer, but I mean, clearly it knows what it wants to do and it doesn't really want to do more than that. Right. So it's made for a specific aud, like a gorehound audience that just kind of wants to see these gory moments. And I think there was one scene that I had heard about that I was kind of dreading watching. It wasn't as bad as I thought it would be, but it's still pretty bad, is when a person is cut in half from hanging upside down. And they cut them. They cut them in half. And, and I think following the trope of pervy boy oriented horror, you know, like the, the victim is topless in the scene, you know, so, so. But again, it, it seems like it's knowing. And he, and he. What was that? What does he do? [00:03:24] Speaker B: She was chopped from badge to throat to throat. [00:03:27] Speaker C: All the. [00:03:28] Speaker A: It's. [00:03:28] Speaker C: It's funny though, now that you mentioned that, like, all the kills of the dudes were very like, sort of impersonal and like kind of just like cutaways. And then every time, like a woman was murdered, it was like really creepy and like up close. [00:03:39] Speaker A: And again, that's a trope, I guess. And I think it also speaks to Art the clowns. [00:03:43] Speaker C: Yeah, he's like, he's. [00:03:44] Speaker A: Yeah. [00:03:44] Speaker C: On that note, I guess it's like a sort of a contrast from X to this because X had like such a well developed charact and you kind of were sad to see them die. And like here you're sad to see the people die, but like, you don't know about them and you're only with them for like 10 minutes each before they die. [00:03:58] Speaker A: And like, honestly, the, the, the, the sort of main girl they kind of pull, maybe like a psycho, where like what we think is the main girl, she gets killed about halfway through. Yeah. Like, my main reason why I was sad that she was killed was like, oh, she was pretty. Like looking at her. Like, that's it. Yeah. Tara. Yeah, I was like, yeah, she wasn't a bad actress. And, and surprisingly, none of the acting is terrible. I mean, I think for what this is. Right. [00:04:21] Speaker C: And Donna was pretty bad. Her acting was pretty. [00:04:24] Speaker A: Yeah, but she's, she's a shitty character. Like, she plays a shitty character. [00:04:27] Speaker B: Well, Blonde girl. [00:04:28] Speaker A: Yeah. [00:04:28] Speaker B: Oh, yeah. [00:04:29] Speaker A: And even the cinematography was kind of like they have. They give it like a full grain look. And. And I thought that they had some, like, yellow lighting, like sort of the lights sort of diffused in the background where it kind of looked kind of creepy. It was. It was cool looking. But I think it's just, you know, the last 40, 40 minutes is just the acting, the actors. I'm sorry, the characters just making like, the typical stupid mistakes that, you know, even if you're playing into the tropes, it's just a little tiring. And we've seen it so many times before that you're like, stop acting so stupid. I mean, don't get me wrong, I would get killed in that situation too. I would do stupid shit. But not as dumb as this, I think. [00:05:02] Speaker B: Have you seen the second and third movie? [00:05:04] Speaker C: I've seen the second one, not the third, but I. [00:05:06] Speaker B: Why do you know if Art ever is given, like, a motive or if he's just like. If he's just like, baseless. [00:05:12] Speaker C: His. His story is, like, developed like, like somewhat. And then there's also like the. The precursor movie to this, which I think also developed a little bit more like the. The short film Shallows Eve. Yeah, I think the short film develops his story a little bit. And then I think the third. I think you get like, things in chunks that you put together. But I do remember clearly that in the second one we find out how he's resurrected and why he comes back to life. And there's like a slight nod to it in this one that later, like, ties into the second one. [00:05:41] Speaker A: Okay. [00:05:42] Speaker C: So when the. The lights are flickering right off, there's like a girl's laugh and we end up finding out why he's resurrected and where that girl's laugh comes from in the second one. So you can watch it and figure it out. [00:05:53] Speaker B: Okay. Yeah, because I. I didn't. I usually don't have a grievance with, like, slasher movie. [00:05:59] Speaker C: Yeah. [00:06:00] Speaker B: Like. Like not having, like, a solid background. [00:06:03] Speaker A: Right. [00:06:04] Speaker B: What their motive is. [00:06:05] Speaker A: Yeah. [00:06:05] Speaker B: But this one, it felt like it needed it a little bit for me. I don't know. [00:06:10] Speaker C: It was just really no plot. It was just going out on Halloween night. [00:06:12] Speaker B: Like, I feel like there either needs to be a plot or a motive. [00:06:15] Speaker A: Like, you can't have neither. [00:06:17] Speaker B: You know, like if. If he had no motive to it, like, there should have been at least some kind of plot to keep me interested. [00:06:23] Speaker A: Right. [00:06:24] Speaker B: And there wasn't either of them. [00:06:25] Speaker A: No. [00:06:25] Speaker B: Like, there wasn't a plot or motive or anything that kept me like not bored watching it. Yeah, it was, it was literally just an accumulation. [00:06:34] Speaker A: Yeah. [00:06:34] Speaker B: Like murder. [00:06:35] Speaker A: Yeah. Like a bullet point, you know? This one, now this one, now this one. You're gonna say something. [00:06:39] Speaker C: It reminded me a lot of a really shitty movie that we watched in here when the thin film fanatics were here. It was called Slumber Party Massacre. I think it was. I think it was two, two or three. And Slumber Party Massacre is another one where you have a slasher whose motivations you don't know until like actually at all. And like he just has some weird ass methods of killing people. And the characters are all just like filler, like cannon fodder for the killer to kill. And it was like basically the same shit. But at least like in both of these, the only time I'm entertained is when art is on screen. Like when he's about to kill somebody. [00:07:12] Speaker A: Yes. [00:07:12] Speaker C: Like, I look forward to those moments and I think that's the whole like of this whole franchise of movies. That's kind of the big issue. And I wrote it here. The screenwriting is fucking horrible. Like in what sense? Like, nobody talks like that. But it's not like in a cool like Tarantino, nobody talks like that way. It's just like, it feels like some guy that's like, thinks this is how human beings talk. And like Damien Leone and like all the movies, he's just a bad screenwriter. Like the plot, there's so many holes in the plot. The way people talk just makes no fudgeing sense. There's like little things that you give. [00:07:41] Speaker A: Me more examples of. Like how. Because like, I don't know, I'm not saying that the dialog is good or anything. It just, it just seemed very kind of like baseline. [00:07:48] Speaker C: Yeah. Like, like the whole thing at the beginning when she's talking on the lady, the anchor lady's talking on the phone and she's just like, like talking to her boyfriend. But it sounds so unrealistic. Like it's not. And the way that they does, the way that it's directed, it's like they didn't even give time for like if that was a real conversation for the guy on the other end to respond. She. It sounds like when you're fake, you know, like when you're trying to like prank a little kid and tell him that you're calling his mom or something. It was like that. And it's just like poor, direct. [00:08:12] Speaker B: Exactly what you're talking about. And not to be vulgar. [00:08:15] Speaker A: Yeah. [00:08:16] Speaker B: But it sounds like how people Talk in porn. Like, you know, you know those like amateur bad actors that like, like there's like emotion and they're like trying. [00:08:26] Speaker A: Yeah. [00:08:27] Speaker B: But it's like, it's like you don't talk like that. [00:08:30] Speaker A: No. [00:08:30] Speaker B: Like it's someone that definitely memorized their script like a week before this was. And they're just kind of like, babe, if I ever look like that, shoot me. It's like, okay, shut up. Like, that's not. [00:08:43] Speaker A: I know. [00:08:43] Speaker B: If you're not immersed in whatever character this is supposed to be. [00:08:46] Speaker A: No, I mean, I guess it's, it's. To me, I guess it's. The acting is exactly what I expected from this and the writing also that I was like, I was, I guess I was expecting it because it's so low budget and. Yeah, I guess because it's so low budget and had such a small release that. And it's so kind of like single minded what it wants to do that I really was expecting much worse acting. [00:09:07] Speaker C: Okay. [00:09:08] Speaker A: Much more amateur acting and much worse writing. And don't get me wrong, I'm not saying the writing was good. I just, it just didn't stand out to me as, as, as any like terrible. And same with the acting. I was like, they're trying, you know, I was like, they're trying. [00:09:20] Speaker B: Definitely trying. [00:09:21] Speaker A: Yeah. [00:09:22] Speaker B: And it does what it's supposed to do for this movie. [00:09:25] Speaker A: Right? Right. [00:09:26] Speaker B: It doesn't. It's just, it's just one thing on top of the list of what makes. [00:09:32] Speaker A: One battle after another. [00:09:33] Speaker C: I. Yeah, I think, I think the, the big thing for me is like one of the big like screenwriting rules. And I don't think there should be like rules for screenwriting. But they always say like, if you're writing a movie, you should always show, don't tell. Like you don't. You shouldn't be force feeding your audience like details about the movie. They should be able to put it together because your writing is good. And like even like the scene where like, oh, a man has killed two people in a restaurant. He, you know, he's a white tall guy and this and that. And it's like you're. You, you, you're. [00:10:02] Speaker A: That was a radio. That was the news on the radio. [00:10:04] Speaker C: And it's such a cop out to like just have the radio explain everything and then like little shit like that that just happens where like you just kind of like like spoon feed me stuff. [00:10:12] Speaker A: I don't want to like defend the movie. Yeah, I'm really not defending it, but I like the thing With. With the newscast was. Was, I think just to make dawn the character realize that. That actually this guy is scary. Yeah. And get her, like. And then kind of freaking us out too. Right. [00:10:27] Speaker B: They could have done it by just being like, two men were found dead at the pizzeria where they just ate. [00:10:32] Speaker A: Yeah. She could have put it together without them. Agreed. Yeah, agreed. [00:10:36] Speaker C: It's so specific. [00:10:37] Speaker B: The clown that looks like this. [00:10:39] Speaker A: Yeah. [00:10:39] Speaker B: With this hat on. And this is his name. [00:10:42] Speaker A: Perfect. Yes. That's. That's what I'm talking about. Like. Like, that's the example I'm looking for. Yeah, exactly. [00:10:46] Speaker B: We know who did it. [00:10:47] Speaker A: Yeah. [00:10:48] Speaker B: You don't have to tell us. [00:10:50] Speaker C: When they're drunk, she's like, oh, let's go to the pizza. Let's go eat at that place that's open all night. You know the place. And they're like, why don't you just say the name of the pizza place? Or just like, oh, let's go grab pizza. Like, it's just like. [00:11:02] Speaker A: Yeah, I get. I get what you're saying. [00:11:04] Speaker C: So, yeah, those were my grievances. The. The opener, like, the quality of, like, the opener, like the screen, like, buzzing on the table. [00:11:12] Speaker A: Yeah. [00:11:12] Speaker C: It looked so shitty. Like, it looked like something I could do in, like, Premiere Pro. Like. Like a template like that. You know how they make those templates where you could, like, upload your video and then it, like, frames it, like around a still picture. Yeah. Like an Instagram filter. [00:11:23] Speaker A: I'm going to give them that one just for low budget. [00:11:25] Speaker C: Okay. [00:11:25] Speaker A: Yeah. [00:11:26] Speaker C: I had shitty. [00:11:27] Speaker A: And I think. And I think it was kind of a cool way to. That you. You showing this tv. It's this old tv. Like, why am I seeing this? And it's sort of giving us this little bit of context. Right. And then you see art declines, giant shoe hit the tv. Yeah. I think it's pretty clever, actually. [00:11:40] Speaker B: I like that part. If they just like the. Like the little TV and then they, like, zoomed in on it. [00:11:45] Speaker A: Right. [00:11:45] Speaker B: I would have hated that because I. [00:11:47] Speaker A: Wouldn'T want to see the point. [00:11:48] Speaker B: Because the TV was art tv. [00:11:50] Speaker A: Right. Exactly. Yeah. [00:11:53] Speaker C: And then I also said, I'm only interested when art is on screen. But I already mentioned that. I said the acting was kind of shitty. [00:11:58] Speaker A: It was. [00:11:59] Speaker C: You told me to write down that they mentioned Craven's Halloween store. Like Wes Craven. I thought you meant Craving the Hunter. [00:12:05] Speaker A: I don't know why you thought I meant Craven the Hunter. It's a horror movie. And they always. These especially low budget horror movies that are Trying to sort of make a name for themselves. They always try to sort of be like, hey, we're. We're real horror fans. So. So they always make these shout outs to other horror directors. There was probably a bunch more that we missed, but that was an obvious one. Those Cravens. [00:12:23] Speaker C: The police found the details way too quick. We already talked about that. How does she know her sister is in the warehouse? Like, she told her where they were, but not that they were in the warehouse. But Victoria automatically goes up to the door of the warehouse. [00:12:35] Speaker A: Not quite automatically, but pretty automatically stumbles. [00:12:38] Speaker C: Around and she's like, whoa, there's a hundred buildings here. But let me go to this one warehouse. [00:12:42] Speaker A: What's funny also is that they then afterwards try. They show that she sees her scarf. [00:12:47] Speaker C: Yeah. [00:12:48] Speaker A: And then it's like, why not do the scarf first and then have her follow that? Yeah. [00:12:52] Speaker C: And then I just said that the doll for dawn, like, once her body was cut in half. Like the. And not the prosthetic. But. Yeah, like, the figure, like, it looks. It looked cool. Like every time they would cut away to her face. Or like the wide shot where she's like, almost like, almost cut in half, but not quite. Like. I get why they do that. Because if they. If they cut the doll all the. [00:13:11] Speaker A: Way, you couldn't have her in one shot. [00:13:13] Speaker C: Yeah, you. Exactly. And exactly. [00:13:15] Speaker A: I was thinking about that. So. So for the listeners to understand, as we were watching it, I. I kind of kept ocding about the fact that he didn't cut all the way through and her head was still together. Yeah. And I was like, this is upsetting me. But yes, I think the reason they did that was because, like, when he does the selfie with her, which is a really dark, funny joke that they wanted her to be in the shot. [00:13:34] Speaker B: Actually, I hated so much that they. They put so much emphasis on, like, Emily the Dollar and, like, the creepy lady that took care of her. And then, like, nothing after. Like, they didn't. Like, it felt like they were trying to almost make a subplot about, like, whoever this woman was. Like, they put a lot of, like, introduction into her, like, living in that warehouse. Like, she has some type of issues where she thinks that a doll is a child. Like, she mothered Art the Clown for, like, five minutes. [00:14:05] Speaker A: But that was kind of interesting in a. [00:14:07] Speaker B: It was interesting, but it was like they did all of this work. Work to make us care about who this lady is and then just kill her and then nothing. And then she's dead and the doll is like, randomly somewhere. Like, it was. It was like. I was like sitting there, I was like, oh, wow, I wonder who this lady is and why she's so important and she's not. [00:14:26] Speaker A: No, she's not. I mean, I guess it just. It just brings out just one little interesting thing about Art where he kind of does suck his thumb and he does kind of revert to kind of childishness. [00:14:35] Speaker B: But that was like. I was like, why do that? [00:14:37] Speaker C: And then he dressed up like her. [00:14:39] Speaker A: Well, because. Because it is a. It is an hour and 20 minute and it wants to focus on what it wants to focus on and it just wants to kind of give a little bit of something, you know, like some kind of. Not death is the word I'm looking for. But. But just a little, because I think even the filmmakers notice this is very kind of cut and dry. It just bothered me that I was surprised when you called it a subplot. And I was like, that's being generous. And I mean, it's probably the closest the movie has to a subplot. All that kind of leads to is that she's another victim. [00:15:07] Speaker B: Yeah. [00:15:08] Speaker A: And I don't know, I. [00:15:10] Speaker C: At least it was interesting when Art dressed up like her just to. For the jumpsuit. [00:15:15] Speaker A: Stole her chest, if you will. That was cool. [00:15:18] Speaker C: But, yeah, that's all. That's all there is to say, really. [00:15:21] Speaker A: I think there's not much more to say. [00:15:22] Speaker B: It. [00:15:23] Speaker A: It. Look, it's clearly is made for an audience that. That wants to revel in the gore. I thought I would enjoy the gore. I didn't. I didn't. How do I put it? It's one of those things where I'm like, hey, big respect, because this stuff's hard to do. They did it. And I think for his budget, it looks good, you know, but it. It wasn't. Certainly wasn't enough for me to. It wasn't as disturbing as I thought it was going to be because I think disturbing has to have some kind of psychological bent behind it. And kind of what we're saying here, when it's so cut and dry, all it is is just kind of gore. And. And I know enough. I've seen enough of these movies and I know enough behind the scenes that I can tell where the little blood, you know, hose is, you know, how to. Did the effect and all these things. So it's not scary to me. I'm just kind of like, oh, okay, that's cool how you did that. [00:16:06] Speaker B: And then it's enough to make you kind of like cringe. At it. [00:16:09] Speaker A: Yeah, but like, I didn't even. I, I was, I was, I was. No, that's fine. Sorry. How do I. Because I don't want to sound like, oh, I wasn't scared by this movie, but like, I was surprised how little I was disturbed by it. I was really nervous all day today being like, I don't know if I can, you know, if we can stomach this and how's it gonna make me feel? And I was just like, oh, okay. It's just kind of like another horror movie. And you know, my, my friend had told me about the cutting part. You know, cutting part. And, and I was really dreading it. And like, it's properly gross. But it didn't, it didn't do what I, you know, it didn't upset me or disturb me as much as I thought it would. But I guess maybe that's also why people enjoy it because it's so over the top and, and you know how it's being done and you can't take it as if it's actually happening. Right. Like, there's no psychological, I don't know, depth or anything behind the idea. And it's also so, like cartoonish, I guess, maybe is. [00:16:57] Speaker B: Do either of you guys know which one of the Art the Clown movies made it popular? [00:17:03] Speaker A: Well, terrifier 2 was the one that, that they, they released it un, unrated so a studio wouldn't release it. And then they. So they themselves like self funded the release and put it in theaters. And then it opened, I think on Halloween weekend or the weekend before with like, like a sizable number that a movie like this shouldn't be making. [00:17:18] Speaker C: It was terrifier two that blew it up. [00:17:20] Speaker A: Yeah. [00:17:21] Speaker C: Also two was like circulating like on Reddit and YouTube, like before, like, what. [00:17:25] Speaker B: Year did that come out? [00:17:26] Speaker C: That was, I think, 2022. 2023. [00:17:29] Speaker A: Yeah. Because I know the last one was last year. Terrify 3 was last year. So it was either a year before or two years before terrifying the one. [00:17:35] Speaker B: I'm thinking of that when it came out, they had the, like the marketing strategy where if you called the number in the trailer, the clown would pick up the phone. [00:17:43] Speaker A: Well, how, how would you know? He doesn't talk. [00:17:45] Speaker B: I don't know. It was something, I don't know, it was something stupid like that where like he would like, send you like a penny. [00:17:51] Speaker A: Okay. [00:17:52] Speaker C: Yeah. I was like, yeah, it was like a marketing day. It was 2022. [00:17:54] Speaker A: 22. Okay. Yeah. [00:17:55] Speaker C: Because I remember watching that one in School on YouTube. I've told the story before. But I was. Yeah, it was like senior year. No, not senior year, junior year. [00:18:02] Speaker A: Oh, at school. That's right. Yeah, yeah, yeah. [00:18:04] Speaker C: I watch it with my friends on YouTube on my laptop. [00:18:07] Speaker A: Oh, on your laptop. Okay. [00:18:08] Speaker B: But it makes sense. [00:18:09] Speaker A: The teachers. [00:18:10] Speaker B: It makes sense that the second one was what made it popular. Yeah, I was, I was watching this one. I was like. I was like, there's no way that this movie got that popular from this. [00:18:21] Speaker C: This one rode the coattails of the second one. [00:18:23] Speaker A: I think it sort of developed a bit of a cult following, the first one. And then the second one kind of came out and. And you guys can attest to. Attest to this because I haven't seen it. The second one was the one that. That sort of, I guess was better. And. And they had a good marketing campaign, like, because they were advertising how people were leaving the theater, throwing up and stuff like that. So it was kind of like this kind of hyped up thing because I had heard of Terrifier only in the sense of, like, I saw YouTube videos that would, like, count down, like, the 10 goriest movies, and they were like, oh, you know, it was on there and I was going to watch it and I just never got around to it. Then when two came out, it kind of blew up and. [00:18:55] Speaker C: And two had a $250,000 budget. [00:18:57] Speaker A: That's. That's 10 times the budget of this one. Right. So still tiny compared to. Yeah. Everything else. But. Yeah. [00:19:04] Speaker C: Yeah. [00:19:05] Speaker B: So, you know, it laid a. It laid a foundation for future success, but it didn't. [00:19:10] Speaker A: Oh, I mean, all credit status quo. They did connect with, with, with its audience and. And they kind of grew something out of it. I don't think I am that audience. On the one hand of such a low budget movie, like, a lot of things are pretty well done. On the other hand, a lot of things are exactly what you would expect. The acting, the dialogue is exactly what you would expect. And like I said, I think they. The casting was good. They got, you know, people who are not terrible. And like I said, I like Tara or Tara, whatever. And I think once they killed her, I kind of lost interest in the movie. Like, I was like, okay, I don't really care anymore. And it ran its course and. And I think that's all I have to say. Yeah. About Terrifier. [00:19:47] Speaker C: Last thing I have to say is that I like the gun kill. I liked when art just stopped around and just pulled out. That was funny because nobody does that. [00:19:54] Speaker A: Because you don't expect that from a slasher movie. Yes, he did. I would have liked more of that, possibly. [00:20:01] Speaker C: Okay, so I give it one and a half pauls. Out of four. [00:20:06] Speaker B: I give it one out of four pauls. [00:20:08] Speaker A: I'm gonna go with Alex. One and a half. Yeah. All right. All right. [00:20:11] Speaker C: Drum roll. We're picking our movie. [00:20:17] Speaker A: What you got? [00:20:17] Speaker B: Barbarian. [00:20:18] Speaker C: Ooh, Barbarian. [00:20:20] Speaker A: Oh, Barbarian. [00:20:21] Speaker C: Yeah, it was my cool. All right, so we've all gotten a pick. [00:20:23] Speaker B: Crap. [00:20:24] Speaker C: Awesome. [00:20:24] Speaker A: Nice. Nice. [00:20:25] Speaker B: I've been dreading having to watch this. I tried watching, like, the first, like, eight minutes of it and the second that. That one. There was, like, one scene that showed up. I turned it off. So this is gonna be my. [00:20:39] Speaker C: Should be fun. [00:20:40] Speaker A: Should be fun. If you're gonna be here, maybe you won't be here. Stephanie might be taking off next week, but we'll see. And. All right, so hopefully I'll be mentally. [00:20:49] Speaker B: Stable enough to watch that if this. [00:20:52] Speaker A: Yeah. Yeah. Cool. Everybody, thank you for listening. Alex, go ahead and push the button. You're pointing at it. Watch this. Don't watch it. Don't watch it. [00:20:59] Speaker C: Watch this. [00:21:00] Speaker A: Unless you're a fan. Whatever. [00:21:01] Speaker B: Watch part two instead. [00:21:02] Speaker A: Oh, excellent. Okay. Bye, guys. Bye.